HUM 102 7-1 Project Submission / HUM 102 Project Template
[To complete this template, replace the bracketed text with your responses. Be sure to use the same creative works and feedback from the project drafts. Remove this note before you submit your paper.]
Part One: Choose the Creative Works
- Describe the two creative works.
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- Describe how the chosen creative works can be used to understand the topic.
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- Describe the value of the diverse perspectives demonstrated in the chosen creative works.
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- Describe potential biases and assumptions present in the creative works in relation to the topic.
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Part Two: Self and Society
- Describe how the creative works create meaning surrounding the topic.
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- Describe how the creative works have impacted society’s perception of the topic.
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- Describe how the creative works might be perceived by different groups of people.
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- Explain how the creative works influence the development of empathy regarding the topic.
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- Explain how the creative works encourage critical thinking regarding the topic.
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Part Three: Identity and the Humanities
- Describe the relationship between the humanities and self-identity.
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- Describe sociocultural factors that influence identity construction.
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- Explain how different humanities subject areas can be used to understand one’s identity.
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- Explain how diverse perspectives influence self-concept.
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References
[Include any references cited in your paper in full APA style.]
HUM 102 Creative Works Descriptive Text
| Creative Work and Author | Description |
| The Scream, Edvard Munch | Painting depicts a man standing on a pier over the water with his hands on his face and his mouth wide open. There are two people in the background. The swirling sky is orange, and the clouds are red. This version of the painting uses
pastels on cardboard. |
| Corridor in the Asylum, Van Gogh | Oil on canvas painting shows a long, colorful hallway extending to a large doorway. The colors include browns, greens, and muddy yellows.
There are archways throughout the hall. There is a man walking into one of two rooms in the hallway. |
| The Starry Night, Van Gogh | Oil-on-canvas painting of the night sky is made up of wide brush strokes. There is a cypress tree in the foreground. In the background, there is a small village beneath the moon and several glowing stars. The painting consists primarily of
vivid blues and yellows. |
| Creative Therapy, Jacob Lawrence | Casein-over-graphite painting that shows six people in a room painting on easels. The
elements of the drawing are made up of geometric figures and planes. |
| Sedation, Jacob Lawrence | Painting depicting several male patients wearing pajamas and staring through glass at a number of pills on a cloth. The prominent colors are greens
and browns with a pop of bright blue. |
| Henry Ford Hospital, Frida Kahlo | Oil painting depicting a naked woman lying in a bed in a field holding red strings attached to a pelvis bone, a dying flower, a machine, an anatomical model of women’s reproductive parts, a fetus, and a snail. There is a puddle of blood underneath the woman, and she has a single tear on her cheek. There is a cityscape in
the background. This is in a metal frame. |
| Two Trees, Peter Doig | Painting depicting three male figures standing by the ocean. They are lit by the moon almost as if they are glowing. On the far right, there are white specks coming down that appear to be snow. One figure on the far left has ice hockey equipment, including a stick, helmet, gloves, and a colorful yellow jersey with red, green, and white strokes. The second figure, a black man in a
bright orange jersey, is also
Note: Full answer to this question is available after purchase.
|
| Creative Work and Author | Description |
| stick and facing the other figure with his head bent. A third figure, another black man with a colorful checkered shirt, is holding a video camera and recording the other two men. Behind the figures are two purple trees with some
greenery and what appear to be flowers. |
|
| Ladies and Gentlemen, Andy Warhol | Polaroid portrait underpinned with bold red
depicting a woman with large, curly hair. |
| Revanti, Gauri Gill | Photograph of a young Indian girl with one hand on her hip and the other pointing straight up into
the air. |
| Cleaning the Drapes, Martha Rosler | Photomontage depicting a woman vacuuming the drapes of a window while, through the window, soldiers from the Vietnam War hunker
down behind large rocks. |
| Street Story Quilt, Faith Ringgold | Three-panel quilt depicting the same Harlem building facade at three different times. Each facade has curtained windows with various black figures. While the first panel depicts the figures looking out the windows, the middle panel depicts a fire in progress with people spraying the building with hoses and people trying to escape. The third panel shows people looking out their windows again. In one window is a sign
reading, “Hell no we won’t go!” Another sign in a window shows a black fist and reads, “Black Power.” A third sign shows a red, black, and green flag and reads, “Free Angela.” |
| Pirate Jenny, Carrie Moyer | Abstract painting made up of both geometric shapes and fluid forms. It includes blue, purple, green, and black lines and a bright orange circle in the middle. The right half of the painting
appears to be washed out by some liquid. |
| Let My People Go, Aaron Douglas | Painting that consists of lavender and gold hues, depicting a beam of light shining down on Moses, who is kneeling with his hands open, facing upward. There are men on horses with armor, including shields and spears pointing toward Moses. In the top-right corner of the painting
there are lightning bolts in the clouds. |
| X, Fred Wilson | Image of Malcolm X in the forefront and a woman in a white dress in the background.
Malcolm X is resting his hand on his head. |
| One Who Stands on the Earth, Edgar Heap of
Birds, Hock E Eye VI |
Sign that reads, “Honor Ma-ka’ta I’na’-zin One
Who Stands on the Earth Death by Hanging Dec. |
| Creative Work and Author | Description |
| 26, 1862, Mankato, MN. —Execution Order
Issued by President of the United States Abraham Lincoln” |
|
| Backdrops Circa 1940s, Lorna Simpson | Photograph of a woman balancing on a crescent moon with a cropped picture of singer and activist Lena Horne from the set of the 1943
movie I Dood It |
| Untitled, David Wojnarowicz | Skull of a large animal with four nails in it, covered in a map. It has a camera lens for an eye. There is a ball covered in U.S. currency in its
mouth, which is tied shut with twine. |
| We Were There. We Are Here. We Are In the Future., Tanekeya Word | Screenprint of a black woman with a yellow background. Above her it says, “We were there.
We are here. We are in the future.” |
| Do Women Have to Be Naked to Get into the Met. Museum?, Guerrilla Girls | Poster of a human female body with the head of a gorilla, lying across a blanket. Next to it, it says “Do Women Have to Be Naked to Get into the
Met. Museum?” |
Read; HUM 102 6-2 Short Answer: Creative Work Analysis
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